First of all, I advise its detractors to read it. No, not just to flick through it, but to actually read it. Because, by doing this, the reader will realize that our author has thoroughly enjoyed himself as he had fun reviving his taste for the task.
Of course, as with any new album, readers may be surprised upon their first read by some of the new characters, and this time even more so, as extra-terrestrials visit the village we know so well.
But soon they delight in Albert Uderzo's virtuoso drawings and gradually come to understand all the clues given in this adventure.
Bit by bit they decrypt the access codes to this work which, by its very modernity, changes (not for too long though) a few old habits. So what did the author want to tell us? A story about visitors from another planet come to fight our favourite heroes? Not at all! No, Albert Uderzo has simply added the symbols of an imperialism (which he enjoys mocking just as he and René always enjoyed lampooning the characters that surround us) to the incredible portrait gallery which previous albums have already given us, while still confessing to an admiration for Disney's creative talents (Tadsilweny is an anagram of Walt Disney)!
The superheroes caricatured as Schwarzy are one of the album's pleasures.
Along with them, the Nagmas also try to get their hands on the famous magic potion that's envied the world over. What exactly is the point here? It's two-fold: the first is that in the competition between comics, manga and Franco-Belgian comic books, Albert has taken sides: neither the first nor the second, no matter what their respective talents, can get the better of the Franco-Belgian comic book.
Put simply, in terms of humour, they will not get their hands on that cherished possession of the Gaulish village, i.e. the magic formula!
And, secondly, when we finally close the album, Asterix's sardonic smile is meant to reassure us: no, the Gaulish spirit isn't dead, let the invaders come, our village Gauls will always manage to send them away empty-handed! No kidding!
Although the reader always has the last word, and the freedom to enjoy or not enjoy any given album, they must be able to read it before making up their own mind.
Yet, let us give you the exclusive, inside story of the Belgian launch which generated all the polemic.
Spies in the pay of… but it's up to you, after all, to make your up own mind. Careful now, we're getting into "Asterix and the Roman Agent" territory.To launch our "Asterix's Mirror World" exhibition in Brussels, we made deals with numerous media outlets (French and Flemish TV, radio, newspapers and magazines). Furious, some of their competitors decided to wage a destabilisation operation worthy of Convolvulus, no less! They dug up a polemicist to comment on -no, scratch comment - assassinate the new Asterix album on a Belgian news broadcast at 7pm on 13 October, the day before the release! If that's not the kind of stunt Convolvulus would pull, my name isn't Doubleclix! Because, to paraphrase the great French playwright Molière, sling enough mud and some of it's bound to stick! It's just a shame that our (French-speaking) Belgian friends' celebration was disrupted by those machinations which are, I can now reassure you, sure to fail.
Readers have already shown what they think by buying the new album: 1.2 million French copies have been sold in just six days! Shops in Spain, Germany, and Great Britain have seen more than 40% of stocks sell like hotcakes. This album has broken all records!





As I've already told you, this album is a complete departure from all those before it: a sure sign of the avant-garde character of this 78-year-old author! Commentators will gradually discover that this album is original on many different levels. For the first time, our friends across the pond are denounced. The imperial forces are no longer just those of Jules, but also those of Hubs (an anagram), leader of the super clones! Time will tell whether or not the caricature of Schwarzy will help him in the coming presidential race...


